The Biennale of Sydney 2008
Click to enlarge
 |
| Museum of Contemporary Art, Circular Quay |
|
 |
| Yr 12 students waiting to board the ferry |
|
 |
| Yr 12 students waiting to board the ferry |
|
 |
| Yr 12 students waiting to board the ferry |
|
 |
| Commissioner's Steps, Circular Quay |
|
 |
| Yr 6 and 7 students on the deck of the ferry |
|
 |
| On the way to Cockatoo Island |
|
 |
| The ferry going under Sydney Harbour Bridge |
|
 |
| Cockatoo Island |
|
 |
| Vernon Ah Kee's charcoal drawings |
|
 |
| Vernon Ah Kee's charcoal drawing |
|
 |
| Graffiti from the past |
|
 |
| Brian Jungen's mobiles made from suitcases |
|
 |
| "Sails" by Jannis Kounellis |
|
 |
| The Opera House sails |
|
 |
| " Wimbledon" grass tennis court on Cockatoo Island |
|
 |
| A seagull minding its eggs |
|
 |
| A broody seagull |
|
 |
| A baby seagull just to the left of the pipe |
|
 |
| The Captain of the ferry with Year 12 students |
|
 |
| Back to Circular Quay |
|
 |
| "Graffiti" from the present on the MCA facade |
| | |
French School of Sydney
English Department
D.Hamilton
Yr 11
and 12 English
2008-09
Sequence
2 on the Biennale of Sydney 2008 (18/06/08 – 7/08/08)
Revolutions – Forms that turn
Australia’s festival of contemporary art
Student’s
name: ………………………………..
Date:
……………………………………………
|
Stage 6
NSW Curriculum (Standard)
Outcomes:
The student will be assessed on:
Outcome 1: A student
demonstrates understanding of how relationship
between composer, responder, text and context shape meaning.
Outcome 2:
A student demonstrates
understanding of the relationship among texts.
Outcome 3: A student learns the language appropriate to the study of English.
Outcome
4: A student
describes and analyses the ways that language forms and features, and
structures of texts shape meaning and influence responses.
Outcome 5: A student analyses the effect of technology and medium on
meaning
Outcome 8: A student articulates and
presents own ideas in critical,
interpretive and imaginative texts from a range of perspectives.
Outcome 10: A student analyses and
synthesises information and ideas into a sustained and logical argument for a
range of purposes and audiences
|
I. Before seeing the exhibition
Formative assessment
A) Consult the free guide handed out in class during the first week of
the term
1.
Read
the introductions by Marah Braye and Carolyn Christov-Barkagiev and write a
five-line summary of each text.
2.
Check
the free ferry service on p.6/7. On
weekends there is a ferry every 30 minutes, check the website for timetable details,
since the times shown in the booklet are subject to change. See www.bos2008.com
.
3.
Discover
Cockatoo Island on p.8/9 and 10/11. Read about the
35 artists exhibited.
B) Go online to www.bos2008.com to
discover more
C) Organise your visit bearing in mind that the Biennale finishes on the
7th of September
You’ll be
able to visit the island on Saturday 23rd or 30th August or 6th September or Sunday
24th, 31st August or 7th September. The visit will take a whole day. Make sure that
you take an early ferry to the island. There are two cafe/bars on the island.
II. During the visit to Cockatoo Island
A) Choose your three favourite artists out of the thirty-five exhibited
Here are a
few suggestions:
Many of
them are very famous, including William Kentridge (p18) who is a South African
multimedia artist and Vernon Ah Kee (p12). He is from Queensland and exhibits impressive drawings of
gigantic aboriginal faces whose gazes are riveting. Don’t fail to visit his
second venue (72/73 on the plan p 10/11). Take a photograph of some of the
xenophobic graffiti of the 1950s’ and 60s’ written by the “White” Australian
workers and compare them with the three banners on the front of the Museum of
Contemporary art which you can photograph from the boat on your departure or
return from the island. Pay also attention to the mobiles by the Canadian Brian
Jungen (p18) which were made for the Biennale and are inspired by Cockatoo Island.
B) Take notes about the artists you have chosen for you assignments.
C) Go back online and take notes this time.
III. Make an oral presentation to the class about these three artists (…/10) Summative
Assessments in class
Use the
notes you took on the island to write palm
notes only in point form for you oral presentation which should last
between 3 and 5 minutes. Introduce the artists and their works, describe them
using the grids studied in class and give your opinion on the works.
IV. Writing task (…/10)
Essay writing in class
V. Extension work
Visit other venues such as:
- Pier2/3 where the free ferry
stops on its way to Cockatoo Island
- The Art Gallery of New South
Wales where volunteers paint the lobby walls white and black seven hours
in a row. This Happening is Bulgarian artist Nedko Solakov’s famous work: A Life (Black & White), one of
his life long artistic projects. Downstairs, Marcel Duchamp’s Bicycle Wheel is surrounded by TV
screens showing the films of younger artists. On the right hand side, the
Swedish Klara Liden films herself destroying a bike. You could compare the
film with the one made by the Australian artist Shaun Gladwell and shown
on Cockatoo Island. He treats his bike differently. His
poetic night ride in Sydney is a reference to Virginia
Woolf.
- The Museum of Contemporary Art where you can discover a
famous Australian photographer,Tracy Moffat, as well as two well known
French artists.
- The Royal Botanic Garden
Make an oral presentation to the
class about what you found interesting
Retour